Y gwahaniaeth rhwng diwygiadau o "Un Nos Ola' Leuad"
(→Sylwebaeth Arbenigol: newid pennawd i 'Rhagor') |
(adran 'Rhagor' wedi'i symud i fod yn is-adran o 'Manylion Pellach') |
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A film ".. directed by Endaf Emlyn (b. Pwllheli, 1944), whose emotional identification with, and knowledge of, the Snowdonia of Caradog Prichard's novel enabled him to realize (and release) the many layers of emotion in a deeply personal work. ... The film deals with the last days of a man riven with guilt all his adult life after a fatal aberration in youth. He feels guilty not only for the violence which led to a girl's death, but his failure to prevent his unhinged mother from entering a mental institution. He returns to his home village to complete the cycle by seeking absolution ... and the use of woods, hills and barren landscapes in sharp juxtaposition with claustrophobic looming interiors which hem in the protagonist, can scarcely be faulted. The film gains immeasurably from fine editing and the beautifully modulated performance of Dyfan Roberts ...", [Dave Berry, 'Wales and Cinema - the first hundred years', UWP, 1994] | A film ".. directed by Endaf Emlyn (b. Pwllheli, 1944), whose emotional identification with, and knowledge of, the Snowdonia of Caradog Prichard's novel enabled him to realize (and release) the many layers of emotion in a deeply personal work. ... The film deals with the last days of a man riven with guilt all his adult life after a fatal aberration in youth. He feels guilty not only for the violence which led to a girl's death, but his failure to prevent his unhinged mother from entering a mental institution. He returns to his home village to complete the cycle by seeking absolution ... and the use of woods, hills and barren landscapes in sharp juxtaposition with claustrophobic looming interiors which hem in the protagonist, can scarcely be faulted. The film gains immeasurably from fine editing and the beautifully modulated performance of Dyfan Roberts ...", [Dave Berry, 'Wales and Cinema - the first hundred years', UWP, 1994] | ||
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==Manylion Pellach== | ==Manylion Pellach== | ||
| Llinell 26: | Llinell 25: | ||
'''Genre:''' Drama, Hanesyddol | '''Genre:''' Drama, Hanesyddol | ||
| + | ===Rhagor=== | ||
| + | '''Dosbarthydd Theatrig:''' Ffilm Cymru | ||
| + | |||
| + | '''Dosbarthwr Theatraidd Tramor:''' BFI Distribution | ||
| + | |||
| + | '''Dosbarthwr Gwerthiant Tramor:''' Jane Balfour Films | ||
==Cast a Chriw== | ==Cast a Chriw== | ||
| Llinell 106: | Llinell 111: | ||
*San Sebastian International Film Festival (mewn cystadleuaeth) Medu 19-28, 1991 | *San Sebastian International Film Festival (mewn cystadleuaeth) Medu 19-28, 1991 | ||
*Edinburgh International Film Festival, 1991 | *Edinburgh International Film Festival, 1991 | ||
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==Manylion Atodol== | ==Manylion Atodol== | ||
| Llinell 134: | Llinell 138: | ||
===Erthyglau=== | ===Erthyglau=== | ||
Martin McLoone, 'Challenging Colonial Traditions: British Cinema in the Celtic Fringe' yn ''Cineaste'', Medi 2001. | Martin McLoone, 'Challenging Colonial Traditions: British Cinema in the Celtic Fringe' yn ''Cineaste'', Medi 2001. | ||
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[[Categori:Yn y Ffrâm]] | [[Categori:Yn y Ffrâm]] | ||
Diwygiad 09:10, 21 Gorffennaf 2014
Crynodeb
Allan o'r senario gref hon daw ffilm sy'n cael ei disgrifio fel "un o'r ffilmiau nodwedd gorau a gynhyrchwyd yn y sinema Brydeinig yn ystod y degawd diwethaf".
A film ".. directed by Endaf Emlyn (b. Pwllheli, 1944), whose emotional identification with, and knowledge of, the Snowdonia of Caradog Prichard's novel enabled him to realize (and release) the many layers of emotion in a deeply personal work. ... The film deals with the last days of a man riven with guilt all his adult life after a fatal aberration in youth. He feels guilty not only for the violence which led to a girl's death, but his failure to prevent his unhinged mother from entering a mental institution. He returns to his home village to complete the cycle by seeking absolution ... and the use of woods, hills and barren landscapes in sharp juxtaposition with claustrophobic looming interiors which hem in the protagonist, can scarcely be faulted. The film gains immeasurably from fine editing and the beautifully modulated performance of Dyfan Roberts ...", [Dave Berry, 'Wales and Cinema - the first hundred years', UWP, 1994]
Manylion Pellach
Teitl Gwreiddiol: Un Nos Ola' Leuad
Teitl Amgen: One Moonlit Night / One Full Moon (ENG) ; Ilargi Beteko Gua (, Una Noche de Luna Llena (ESP)
Blwyddyn: 1991
Hyd y Ffilm: 98 munud
Cyfarwyddwr: Endaf Emlyn
Sgript gan: Endaf Emlyn a Gwenlyn Parry
Addasiad o: Un Nos Ola' Leuad gan Caradog Pritchard (1961)
Cynhyrchydd: Pauline Williams
Cwmnïau Cynhyrchu: Gaucho Cyf ar gyfer Ffilm Cymru ac S4C
Genre: Drama, Hanesyddol
Rhagor
Dosbarthydd Theatrig: Ffilm Cymru
Dosbarthwr Theatraidd Tramor: BFI Distribution
Dosbarthwr Gwerthiant Tramor: Jane Balfour Films
Cast a Chriw
Prif Gast
- Dyfan Roberts (Dyn)
- Tudor Roberts (Bachgen)
- Betsan Llwyd (Mam)
- Delyth Einir (Jini)
- Cian Ciaran (Huw)
- Dilwyn Vaughan (Moi)
Cast Cefnogol
Gweler gwefan y BFI am fanylion pellach [1]
Ffotograffiaeth
- Ashley Rowe
Dylunio
- Ray Price
Cerddoriaeth
- Mark Thomas
Sain
- Richard Dyer a Steve Howard
Golygu
- Chris Lawrence
Effeithiau Arbennig
- Effects Associates
Cydnabyddiaethau Eraill
- Cynhyrchydd Gweithredol - John Hefin
- Rheolwr y Cynhyrchiad – Cheryl Davies
- Rheolwr y Cynhyrchiad – Mike Jones
- Rheolwr y Cynhyrchiad – Marlyn Roberts
- Rheolwr y Cynhyrchiad – Mary Innes
- Cyfarwyddwr Cynorthwyol – Dafydd Arthur Williams
- Ffotograffydd Tanddwr - Mark Jarrold
- Tîm Dylunio – Bob Tunncliff
- Tîm Dylunio – Marc Jones
- Tîm Dylunio – Donald Williams
- Perfformwyr y Gerddoriaeth – Cerddorfa Siambr Llundain
- Cyfarwyddwr Cerddorol – Christopher Warren-Green
- Golygydd Sain – Nikki Turner
- Golygydd Sain – Steve Stockford
- Gwisgoedd - Jakki Winfield
- Colur - Marina Monios
Manylion Technegol
Fformat Saethu: 35mm
Lliw: Lliw
Gwlad: Cymru (UK)
Iaith Wreiddiol: Cymraeg
Gwobrau:
- 1992 - Gwyl Ffilmiau Celtaidd - Ysbryd yr Wyl
- 1992 - BAFTA Cymru - Sain Gorau
- 1992 - BAFTA Cymru - Goleuo Gorau
- 1992 - BAFTA Cymru - Gwisgoedd Gorau
- 1992 - BAFTA Cymru - Coluro Gorau
- 1992 - BAFTA Cymru - Drama Orau
- 1992 - Gwyl Ffilm Troia - Sgript Orau
- 1992 - Gwyl Ffilm Troia - Actores Orau (Betsan Llwyd)
- 1992 - Gwyl Ffilm Troia - Sinematograffi Gorau
Lleoliadau Arddangos:
- Yr Eidal, Tachwedd 1991(Turin International Film Festival of Young Cinema)
- Siapan, 21 Tachwedd 1992
- Sweden, 25 Rhagfyr 1992
- Awstralia, 24 May 1993 (Adelaide Film Festival)
- Ffrainc Mai 9-20 1991 (Gwyl Ffilm Cannes)
- Independent Feature Film Market (IFFM) (New Voices) Medi 24 - Hydref 3, 1991
- London Film Festival Tachwedd 6-21, 1991
- San Sebastian International Film Festival (mewn cystadleuaeth) Medu 19-28, 1991
- Edinburgh International Film Festival, 1991
Manylion Atodol
Llyfrau
David Berry, Wales and Cinema: the first hundred years (Caerdydd: Gwasg Prifysgol Cymru, 1994)
Dave Berry, 'Unearthing the Present: Television Drama in Wales', yn Steve Blandford (gol.), Wales on Screen (Penybont: Seren, 2000), tt. 128-151.
Steve Blandford, Film, Drama and the Break-Up of Britain (Llundain: Intellect, 2007)
ap Dyfrig, R., Jones, E H G, Jones, G. The Welsh Language in the Media[2] (Aberystwyth: Mercator Media, Mercator Media Monographs, 2006)
Martin McLoone, Film, Media and Popular Culture in Ireland: Cityscapes, Landscapes, Soundscapes (Dulyn: Irish Academic Press, 2007)
Robert Murphy, The British Cinema Book (Llundain: BFI, 2001)
Gwefannau
Un Nos Ola' Leuad ar imdb [3]
Adolygiadau
Sight and Sound, cyfrol 1, rhif 9, Ionawr 1992.
Variety, 25 Tachwedd 1991.
Adolygiad yr All Movie Guide [4]
Erthyglau
Martin McLoone, 'Challenging Colonial Traditions: British Cinema in the Celtic Fringe' yn Cineaste, Medi 2001.
